![]() I work basically in three different fields as a composer, arranger and performer.Īt the age of 17 I started working as a professional guitarist, being a sideman, session musician, and teacher. I don’t think everyone often has to go through the risks, but if We need an extreme change, we need the same amount of risk as well.Ĭan you open up a bit about your work and career? We’re big fans and we’d love for our community to learn more about your work. Which person has a different resistance towards risks. That was the only way I could leave my country, learn new languages, cultures, music, physiology, and keep going toward my dreams. Maybe because music relates to people’s passion, discipline, pleasure, lifestyle, and exposure, It can be hard for them to understand that art needs as much or even more effort and risks than other jobs.īecause of the difficulties of understanding the field it can be hard for musicians to always charge for every minute of work, as in other jobs it might not be questionable. Leaving our comfort zone can be challenging but teach us different ways to resolve problems and be resilient.īeing a musician often takes me places that some people would call risks. ![]() I think of risk as an alternative route that might have challenging obstacles but also that takes us to places that we wouldn’t arrive otherwise. Hi Wesley, we’d love to hear about how you approach risk and risk-taking We had the good fortune of connecting with Wesley Amorim and we’ve shared our conversation below.
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